Angola Camp Thirteen takes centre stage at the Naledi Theatre Awards 2020- 15 September 2020

Office of the Premier 2020/09/14 - 22:00



Qaqambile Mdledle

Angola Camp Thirteen, a musical theatre production by Sello Maseko, was the biggest winner at the 2020 Naledi Theatre Awards. The production scooped six awards, one of which was for the best choreography at the awards ceremony which took place over the weekend.

Sello Maseko, is a product of the Gauteng Department of Sport, Arts, Culture and Recreation’s Ishashalazi theatre development programme.

Maseko, studied drama at the University of Witwatersrand. His parents were political activists and he was born in Tanzania in 1984. He began writing the play Angola between 2016 and 2018. The production was selected to be developed by the State Theatre’s Incubator programme.

Maseko first got involved in the Ishashalazi development programme in 2011, when he participated in the training workshops for writing and directing. He said that the story of killings and torture in Quatro have been called a fairy-tale even by those who were in exile.

“No one knew about it, including the people from exile, when you speak about Quatro, they would l tell you that you are lying, that there was no such thing. Minister of State Security, Ayanda Dlodlo went to exile when she was 17 years-old. She said that she has lived in Angola for many years and can attest that this thing of Quatro is a fairy-tale,” Maseko added.

As part of his research for his play, Maseko spoke to victims and their families and read books by authors like Mwezi Twala.

Although the play focuses on the torture of one man in the camp, Maseko says this doesn’t mean women were treated any better.

“Due to time, I wanted to tell a particular story but the story of women in exile is a story on its own, he said.

Before writing the play, Maseko went to Angola, he reiterates that when he was there he felt the spirits of those who died there.

“I cried. I came back and said to myself, I have document my experience, because those spirits communicated that they wanted to be released. They wanted me to tell the world what happened to them because no one was saying anything,” he said.

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